British invented communism and other subversive movements, then blamed them on the Jews

.@CourtenayTurner is a great talent.

Minutes into our first interview, I realized Courtenay is on another level, an original thinker.

We talked almost 3 hours, mostly about my new book, HOW THE BRITISH INVENTED COMMUNISM (AND BLAMED IT ON THE JEWS).  https://t.co/wJYRhQQgGU pic.twitter.com/4XYGYx6NM0

— Richard Poe 🇺🇸 (@RealRichardPoe) August 31, 2024

55:20  If you look at the period we call "The Age of Revolution," when all of a sudden people started rising up and overthrowing governments, late 18th century through the early 20th century, the Russian Revolution.  This was the age of Revolution, and this was exactly the age when the British Empire rose and basically took over the world and became the master of the entire planet.  Its only real rival was, by the time of WWI, the real rival of Great Britain, was not Germany, it was Russia, and I explain in geopolitical terms why this was in my book.  

56:00  Germany was a rival, yes, but they understood that Russia was potentially a much greater rival, and there is no question that British elites went into WWI with a very definite plan to defeat both Germany, their enemy, and Russia, who was supposedly their ally, and they accomplished both.  And the reason they dared to do this, obviously, it was a very risky thing to do, to take out your ally, Russia, in the midst of trying to defeat Germany, but they did it because they already knew that the Americans were going to  enter the war because this had already been arranged in advance with Colonel House and Sir William Wiseman and all the British intelligence people who were controlling Woodrow Wilson.  They said, "Oh, it's already been set up and arranged," so the British already knew that the instant that they took out Russia the Americans were going to come in and replace Russia with fresh troops and finish off what was left of Germany.  That's exactly what happened.  It was admittedly a very risky move; could have gone badly for the British, but they're a risk-taking people; that's why they got where they got.  They took this risk and they won.  It absolutely happened exactly as they planned it.  And the key was their control of the United States, and their absolute ability to know with 100% certainty that they could get Woodrow Wilson to declare war on Germany.  It was an intricate and fascinating set of maneuvers, but it really happened.  It was so well documented.  But the way that covered it was the British to have Winston Churchill get up in 1920 at a point when the whole world was totally disillusioned by war, by geopolitics.  So many people had died, and the catastrophe in Russia, in particular, was still going on, so many millions slaughtered.  What was it all about?  And so Churchill got up there and said "It was the Jews.  The Jews did it.  It was all their fault.  And we need to defeat these bad Jews in Russia," he said, "and we need to encourage these good Jews who are going to set up 

How the British Invented Communism (And Blamed It on the Jews) https://t.co/yilFZJzfS6 via @amazon

— St. Michael, the Archangel (@aveng_angel) September 1, 2024

G K Chesterton, Arthur Conan Doyle, and James Masefield wrote for the New World Order of 1918

Thank you to Inversionism.

The WWI Conspiracy,  2018, is an excellent documentary by James Corbett.  Above is the documentary in its entirety, but James does break up the 2-hour & 20-minute documentary into 3 parts for easier viewing. 

121:32. At the outbreak of war, they set up the War Propaganda Bureau at Wellington House.  The bureau's initial purpose was to persuade America to enter the war, but that meant they'd soon expand it to shape and mold public opinion in favor of the war effort end of the government itself.  On September 2nd, 1914, the head of the war propaganda Bureau invited 25 of Britain's most influential authors to a top-secret meeting.  Among those present at the meeting were G. K. Chesterton, Ford Maddox Ford, Thomas Hardy, Rudyard Kipling, Arthur Conan Doyle, Arnold Bennett, and HG Wells.  Not revealed until decades after the war ended, many of those present agreed to write propaganda material promoting the government's position on the war which the government would get commercial printing houses, including Oxford University Press to publish as seemingly independent works.  Under this secret agreement, Arthur Conan Doyle wrote To Arms!, 1914.  John Masefield wrote Gallipoli, 1916, and The Old Front Line, 1917.  Mary Humphrey Ward wrote The War on All Fronts:  England's Effort: Six Letters to an American Friend, 1916, and Towards the Goal, 1917.  Rudyard Kipling wrote The New Army in Training, 1915.  GK Chesterton wrote The Barbarism of Berlin, 1914.  In total the bureau published over 1,160 pamphlets over the course of the

Hillaire Belloc later rationalized his work in service of the government,

It is sometimes necessary to lie damnably in the interests of the nation. 

War correspondent William Beach Thomas was not so successful in the battle against his own conscience, 

I was thoroughly and deeply ashamed of what I had written for the good reason that it was untrue . . . [T]he vulgarity of enormous headlines and the enormity of one's own name did not lessen the shame.

But the Bureau's efforts were not confined to the literary world. Film, visual art, recruitment posters; no medium for swaying the hearts and minds of the public was overlooked. By 1918, the government's efforts to shape perception of the war—now officially centralized under a "Minister of Information," Lord Beaverbrook—was the most finely tuned purveyor of propaganda the world had yet seen. Even foreign propaganda, like the infamous Uncle Sam that went beyond a recruitment poster to become a staple of American government iconography, was based on a British propaganda poster featuring Lord Kitchener.

Control of the economy. Control of populations. Control of territory. Control of information. World War One was a boon for all of those who wanted to consolidate control of the many in the hands of the few. This was the vision that united all those participants in the conspiracies that led to the war itself. Beyond Cecil Rhodes and his secret society, there was a broader vision of global control for the would-be rulers of society who were seeking what tyrants had lusted after since the dawn of civilization: control of the world.

World War One was merely the first salvo in this clique's attempt to create not a reordering of this society or that economy, but a New World Order.